Sam Mellinger of The Kansas City Star writes, in addition to solid columns for the newspaper, a blog for the paper's Web site. You should check it out, and participate in his Twitter Tuesday feature, but don't do what I'm doing in this post. That's not the point of the feature.
I put this together as a post, not because I want to make Mellinger work harder by clicking a link, or because I’m interested in page views; the only traffic this blog gets comes from random Google image searches from a silly feature we used to do a few years ago, and why change that now? The thought is that it’s easier for him to read all of it in one place, rather than trying to piece together @mentions –- no way I can keep this to 140 characters or less -- from my Twitter handle. That said…
I thought Kent Babb’s Arrowhead Anxiety piece was a great example of journalism and reporting. I told him so, and asked him how he felt about it, but got no response.
The reason I wanted to know how he felt about it is similar to why I’m asking you about it today: What does this story do for the Kansas City community and the Chiefs fan base? Is it designed to show Clark Hunt and Scott Pioli that there are ways around their efforts toward secrecy and accountability?
Does it aim to show Chiefs fans that the organization’s brass is, perhaps, focusing on the wrong things? Is it a quiet vote for Todd Haley’s on-an-island methods of madness? Does it suggest that Romeo Crennel (and really any head coach Pioli hires) is, in a sense, being set up for failure?
I mean, I just don’t get it. So the Chiefs general manager keeps tabs on a candy wrapper in a stair well, and pores over phone logs, and makes staff-department members feel as though they’re not allowed to comingle, or that their moves are monitored. If the organization is committed to winning championships, and we know fans of the team want the same, how does exposing the regime’s heavy-handedness advance anything beyond the essence of one particular piece of journalism?
I feel like the media members in this community are either admitted fans of the teams they cover, or they’re adept enough to maintain the expected role of an impartial reporter, but they’re quietly rooting for the success of the clubs they cover. It’s no secret that Babb does a fantastic job as a Chiefs beat writer, and he appears to wish well for the club and its personnel on the field. I’m just having a hard time understanding the point of the piece.
My guess is that Babb is proud of the piece, or he wouldn’t have submitted it, but my confusion centers on how it advances discussion. Are we supposed to be mad at the Chiefs? Are we supposed to think that a lot of those employees are thin-skinned, or that people, for the most part, don’t like change?
The Kansas City Chiefs kept a lot of their front-office administrators in place until the Carl Peterson era came in, and when they made changes, the club went from a joke to a serious, annual, post-season contender. It wasn’t enough, and change was necessary again. This time, the change included the owner, and perhaps Lamar Hunt’s son is going to be less loyal than his father was, all at the expense of winning a Super Bowl.
Maybe Scott Pioli is a little nutty, and maybe the point of the piece was to show that. Or maybe it was just to get readers to think, regardless of direction. Read more
Alright. Got a day off, and I've got plenty to say about my re-entrance into the realm of industry hospitality, and I'm certain that will entertain a grand total of nobody. In the interim, however, I've got to sort out a few things about the good ol' Kansas City Chiefs, the good ol' Denver Broncos, and the good-ol'-boy-network known as the National Football League.
If you're unfamiliar with my ramblings on this blog, it may be news to you that I am not a fan of Colorado's professional football club. I'm not going to bash them today, though. They stunned everyone -- most notably Mike Tomlin's Pittsburgh Steelers -- yesterday by advancing to the divisional round of the NFL's post-season. Yes, the Steelers were badly hobbled, and no, nobody thought Tim Tebow and company would orchestrate a 300-yard-passing afternoon. Here's the long and short of the contest, though: You're the number-one passing defense in the league. You lose the coin toss to start overtime, and you therefore, are perhaps thinking of coming up with some huge defensive schemes and plays in order to gain possession of the football.
Yes, that was the debut of new post-season overtime rules, so yes -- you might want to come out prepared for the first play from scrimmage. And, by "prepared," I mean send someone into pass coverage. Someone. Anyone. I mean, you don't wanna get torched on an 80-yard touchdown pass and get sent packing before the first overtime commercial break, do you?
Nevertheless, a Denver win. Congratulations to John Fox and his squad.
That brings me to today, though, and if you are familiar with my tiresome drawl on this site, you know that I think the incestuous nature of this league is filthy and disgusting. Every regular season concludes with some head-coaching vacancies, and inevitably, the same old retreads get drug out from behind the last wood shed to which they were cast, and we see the same has-beens give it a go in a new city.
It's annoying, yes, but for the most part, tolerable.
There appears, though, to be some sort of leap-year cycle in football, wherein the whole concept of good ol' boys giving their good, old pals new jobs in different regimes, finds new ceilings, and right now we're in the midst of one of those unprecedented -- at least in my football-viewing liftime -- heights.
I'm not documenting all of this to educate anyone. Rather, it's an exercise for myself, one in which I can attempt to make some sense of it all.
Several seasons ago, Mike Shanahan was fired by Pat Bowlen, and shortly thereafter, Clark Hunt and newly appointed Scott Pioli opted to not retain the services of Herman Edwards. As you may know, Pioli -- then dubbed the top G.M. candidate in football -- is betrothed to a young woman whose father goes by the name of Bill Parcells.
Now, us fans (and lowly bloggers) never know what really goes on inside the NFL's inner circles, so we're left to speculate, and this is what I'm doing here, so keep that in mind.
Pioli gets the job in Kansas City, and it was reported that he wanted to -- shocker -- go to the New England Patriots staff and pick his coach from that crew of knuckleheads, his choice being none other than then-Patriots-offensive-coordinator Josh McDaniels. Denver Bronco G.M. Brian Xander, however, beat him to the punch and hired McDaniels first. This left Pioli to go all Galactic and call up his father-in-law for some advice.
Parcells, having worked with Todd Haley in both New York and Dallas, recommended the then-Arizona-Cardinals offensive coordinator, who happened to have just been one Santonio Holmes touchdown catch away from winning a Super Bowl, so it made sense.
Next, Pioli needed a quarterback for his Chiefs, so he -- shocker -- went to the New England well again, and pulled a trade to get the then-franchise-tagged Matt Cassel, which was who McDaniels also wanted to get to call signals for his Broncos. Somehow, word of this Denver-based desire leaked out, and pissed off then-incumbent-starter Jay Cutler, who threw a tantrum and demanded a trade, which he got.
The swap of Cutler for Kyle Orton, if I remember correctly, netted the Broncos a nice bundle of draft picks, which McDaniels then, quite literally, blew the following season, so he could obtain the services of Tebow. Meanwhile, in Kansas City, Pioli went -- yes, a third shocker -- back to his Foxboro roots once more and obtained the services of Charlie Weis and Romeo Crennel to coordinate both sides of the non-special-teams football.
In the midst of McDaniels' and Haley's second seasons in charge of their respective clubs, the former's squad crushed the latter's and an infamous post-game display of unaffection ensued:
Later in the campaign, Haley's Chiefs (barely) defeated McDaniels' Broncos and the latter was relieved of his duties, courtesy of both a late-season collapse and some hidden-camera shenanigans that McDaniels likely -- shocker number four -- learned from watching his boss Bill Belichick in New England.
That brings us to this year, which featured McDaniels leading an inept St. Louis Rams offense to a two-win effort, and Haley getting fired with three games to go in the regular season. Mind you, the future of the Denver franchise that McDaniels rolled the dice on (read: #15) took over the starting job for Orton, and the former Bear was cut. Kansas City, being without the services of Matt Cassel, claimed Orton off of the waiver wire, and promptly defeated the lossless, defending-Super Bowl-champion Green Bay Packers.
The Chiefs then lose an overtime contest to the Oakland Raiders, courtesy of not one, but two, field-goal attempts blocked by former Patriot Richard Seymour. Kansas City then travelled to Denver, and won a snooze fest over the Broncos, 7-3. It should be noted that said snooze fest featured Orton returning to Denver to defeat his former backup. Tebow and crew, however, eked into the playoffs thanks to a San Diego Chargers victory over the Raiders.
As the buzz of the regular season was still fizzling, New England sent the NFL TPS reports to obtain the services of the now-fired-from-St. Louis McDaniels, who, rumor had it, Pioli had been eyeballing for some position or other in Kansas City.
Following the conclusion of yesterday's wildcard weekend, McDaniels is now on the Patriot staff as an offensive assistant, and will be the club's coordinator next season, meaning that his first assignment is to help guide New England to victory over the franchise that fired him, a franchise led by the quarterback for whom he mortgaged the club's draft picks obtained in the Cutler-Orton trade.
And, back in the midwest, the Chiefs have named Crennel the new head coach, while the Rams appear ready to ink a deal with Jeff Fisher. Reports from Twitter over the weekend indicated that the recently fired Haley and Tony Sparano will be involved in hedging the new offensive plan for St. Louis. Sparano is coming off a once-impressive, mostly disappointing tenure as main man in Miami, and was put there by Parcells. Parcells, no longer employed by the Dolphins, is suspected to be replaced by Carl Peterson, who Scott Pioli replaced in Kansas City.
Basically, the only fresh face in the mix is John Fox in Denver. He has McDaniels' old job and McDaniels' old quarterback. Kansas City has Denver's old quarterback, New England's old quarterback (both of whom are also McDaniels' old quarterbacks), New England's old defensive coordinator, and if you want to add another layer to the mix: the third quarterback on the Chiefs roster is a kid out of Iowa, one of Pioli's favorite places to draft since he's chums with coach Kirk Ferentz.
Haley's in line to take (some form of) McDaniels' old job, along with Sparano, who came from Parcells, who will likely be replaced by Peterson. And McDaniels, in case you didn't catch it, is charged with attempting to defeat the signal caller he so coveted two drafts ago.
In other NFL playoff news, the Saints -- semi-loaded with former Chargers A.J. Smith decided not to keep -- will attempt to knock off Jim Harbaugh (former Bear QB) and the San Francisco 49ers, while the Packers will take on Eli Manning -- who refused to play for the team (San Diego) that drafted him and the New York Giants. Tom Coughlin's Giants made a mockery of the Thomas Dimitroff (another branch of the Pioli tree)'s Atlanta Falcons yesterday, leaving Tony Gonzalez -- who didn't want to stick around for yet another Kansas City rebuild -- with one less playoff win than Tim Tebow (Editor's Note: I'm still kicking myself for not tweeting that first yesterday.).
The other AFC matchup will feature Harbaugh's brother John and the Baltimore Ravens versus the Houston Texans, led by former Shanahan assistant Gary Kubiak.
So, there. None of that's news, really. I just had to suss it out for myself, and decide, after doing so, if I really felt as coated in six layers of Arkansas-truck-bed sibling lust as I thought I did.
My boy Adam Best once wrote that bloggers should never waste post space to mention that they've been out of the loop or on the sidelines, etc. I'm going against his advice right now to report that I've been out of commission for the entire month of November because I decided to get back in the restaurant business, which has been an adventure that is reaching upwards of 300 hours and one day off for November. It's apropos of something, though, that on this, the last day of the month, I'm squeezing some time out of my day to share with you a few of the songs that recently clogged my brain like a backed-up dish drain.
If this is your first time checking out this feature, note the following: I have no idea how these songs wind up in my head, and I do not allow myself to include tunes I've heard or been reminded about in any way. I also am lucky enough to have at least one song a week stuck in my head that doesn't suck. We'll start with it.
5. "Love Potion Number 9" by The Searchers
I was raised on oldies, so I love this tune. In fact, I don't think I've ever gotten tired of it. Also, I like to envision myself as one that would kiss "everything in sight," meaning hot ladies and not cops.
4. "Almost Paradise" by Mike Reno and Ann Wilson
I don't really have an opinion on this undying trend of remaking movies, and that's because I haven't seen a single one of them. I feel like I heard they remade Footloose, but I'm not for sure. What I do know is this: This song freaking blows. It's not nails on a chalkboard; it's meat tenderizer to the nose. Kill me. Now.
3. Queensryche's "Jet City Woman"
I can't say for sure that I've ever had any use whatsoever for Queensryche. I mean, I adored "Silent Lucidity," but before that song's release, I don't think I'd ever heard of them. I wound up buying a copy of Empire, because that's the kind of wasting-money-on-mediocre-music retard I was in high school, and so now that I mention it, I do have a use for Queensryche: You guys owe me 10 bucks. "Jet City Woman" is flippin' terrible, though. Just terrible.
2. "Daisy Bell" by Harry Dacre
Dude, I got no idea...
1. "Cool Night" by Paul Davis
Again. No idea. They just get there. But, if you're into big pimpin', you should totally use this song to get in good with the ladies. Like, text snippets of it as voice notes to all the gals in your top five list. It's guaranteed to work. It's universally understood that Paul Davis is synonymous with dripping-hot sex.
Anyway, I have no idea what week it was that I was tortured by these cuts, but there they are. Come back again soon for some more self-inflicted torture. Read more
I'm pretty excited for this particular review since the subject actually came out this year. Granted, it was in April, but that beats the untimeliness of my Dylan review. It's all in the feature's title, though, right?
Anyway, once I was done reading the Bob Dylan biography, I moved on to a book with a pretty awesome title: This is a Book by Demetri Martin. Now, before I tell you about how awesome I think Demetri Martin is, and how I enjoyed the shit out of his book, allow me to drop two non-noteworthy tidbits: I’d guess that less than 10 percent of my library is hard-bound. Maybe less than five. I just don’t ever not wait for paperback. Chronicles, however, was a gift, and given to me new, so it was in its original pressing, and obviously hard-bound. Second, the fam’ and I were in Durango in June, and there are two stores I can almost never not spend any money in: Southwest Sound and my favorite tome slinger of all time: Maria’s Book Shop.
Now that that’s out of the way, let’s talk Martin.
Just under three years ago, I was in Wellington, KS for a job training and this was right around the time that Martin’s show, “Important Things with Demetri Martin” had aired on Comedy Central. I was sitting in my hotel room with this beefcake and he was driving the channel changer.
“This show sucks,” he said.
For the record, I'm not sure if that clip is from an actual episode of "Important Things" or if it's from an evening of standup; I just found it on the 'Tubes. Either way, my work-training partner (Editor's Note: Yes, all three of those breadfasts were his, and yes he ate every last bite.) might as well have insulted my cooking. I happened to think Martin’s show was stellar, even though I knew it wouldn’t last, as it was too off-the-beaten-path and not raunchy enough (Note: I’m looking at you, Daniel Tosh, Nick Swardson.) for today’s C.C. viewing audience. If you cut all that away, though, it was pretty darn funny at its core.
When I first heard about his book, it came courtesy of this episode of the Sklarbro Country podcast on which Martin was the guest, and as a side note, if you’re not following the Sklar brothers on Twitter you’re missing out on some quality humor. Regardless, a month later, scouring the shelves of Maria’s with that urge to buy something, I came across This is a Book.
Naturally, I didn’t get moving on it until I’d finished Chronicles, but I mowed through it in three shifts. For the record, an interesting approach to book writing makes it a fast read on its own, but the content of each page is so damn funny that it’s hard to put it down. I mean, I can’t remember the last time I grabbed my wife half a dozen times to read passages to her. It was that enjoyable, and at its root, not that different from the show, which is probably why I liked it so much.
Some highlights:
There’s a chapter called “Hotline” early in the book, and it plays out a scenario in which you need to get out of a public situation, but need the assistance of a phone call to do so. You’ve seen this: Girls will have a best friend call their cell phone at a precise time on a blind-date evening, a parachute if you will that allows them to bail if things aren’t going well. Heck, I’ve been on a date and done it myself, but for a different reason: the restaurant we’d selected was just really not going to cut it. Our appetizer was terrible, the server was a jerk, and nothing entrée-wise appealed. The simple solution was to shoot a friend a text and ask for a phony emergency call, so as to avoid the awkwardness of having an everything-about-our-17-minutes-in-here-has-totally-blown conversation.
The “Hotline” chapter is only two pages long, but it’s freaking hilarious, as is the book’s eighth section, “How I Felt,” which does a remarkable job of using the color-as-a-metaphor tool that writers often employ, i.e. “green with envy.” Martin has, shall we say, a more colorful approach to the technique.
“I quickly became purple with punches to the face and, on and off, even more purple with DJ lights that were still rotating. Things got worse when Violet’s boyfriend pushed me into a candle. I turned orange with fire and then gray with smoke. Thankfully, I quickly became pink with fruit punch after Carl threw some on me to put out the fire.”
There’s a chapter called “Statistics” in which we get such gems as “99.99% of all castles in America are located in fish tanks.” Or, “America is the leading exporter of the phrase ‘Oh no he didn’t.’” Or, “Per capita, just about everyone has no idea what a ‘capita’ is.”
A chapter titled “Who I Am” cracked me up from start to finish.
“I am a man…I am also a former baby and a future skeleton…I am ‘brother’ and I am ‘son’ and I am ‘father’ (but just according to one person, who does not have any proof but still won’t seem to let it go)…People have known me by many titles. In high school, I was ‘Student’ and ‘Key Club Vice President’ and ‘Queer Bait.’ In college I was ‘Pledge’ and then ‘Disappointed’ and then ‘Transfer Student’ after that…I have been called many things, like ‘Hey You’ and ‘Get out of the Way!’ and ‘Look Out!’ And then, some time later, ‘Plaintiff.’”
There are awesome chapters like “Some Drawings” and “Palindromes for Specific Occasions” and “Honors & Awards (for Which I Would Qualify).” There’s the hilarious “Charts & Graphs” and the clever “Frustrating Uses of Etc.,” and those are only some highlights of the first two parts of the book.
Part three starts off with one of my favorite stories about a guy who buys a fruit stand only to see it smashed by a car. There’s a witty chapter about the power of personalized checks, one called “Epigrams, Fragments & Light Verse,” and another collection of drawings. In the final part, Martin gives us the epic “Confessions of a White Guy with Dreadlocks,” the gut-busting “Zing!” that features this example:
Airplane
Woman Sitting Next to Me on Airplane: So, what do you do?
Me: Oh, I get paid to make boring small talk with strangers on airplanes.
Zing!
--And then sat in hostile silence for next 5 hours of flight.
Finally, we get another chapter with statistics in it, and one called “The Word Awards,” featuring hits like, “The Ensemble Award for the Least Frequently Used Combination of Words went to I was wrong, which was presented by last year’s winner I have a drinking problem.”
I seriously cannot remember the last time a book made me laugh that hard. I was even embarrassed at times because I was beginning to think guests at the bar were suspicious of the state of my mental health. For real, though, I had the same laughs all over again reviewing it for this post. And if you don’t believe me, peep the quotes on the back cover. They include Conan O’Brien, Will Ferrell, Malcolm Gladwell, and Chuck Klosterman, who said, “This book is so funny I forgot to laugh. I know that sounds like a childish criticism, but I mean it literally: This book is so funny, I forgot a whole bunch of things -– who I am, what I stand for, large chunks of my childhood, my sense of equilibrium, how to fall asleep, and when I’m supposed to laugh at things.”
So get yourself a copy, or if you know me, borrow mine, and if you like that Klosterman quote, check in next week for a review of one of his books. (Hint: No, it’s not the new one.) And if you're still unsure, follow Martin on Twitter. You know: baby steps. Read more
Welcome back for another installment of the feature that makes you want to stick your head in a blender.
If you're new to the action, what follows are (mostly) terrible tracks that, for reasons unexplained, got stuck in my head last week. I'm kind enough to pass the deliciousness on to you, so enjoy.
One day you'll thank (read: stab) me.
We get things underway this week with an obviously unterrible track. I suppose it's nearly never a bad thing to have one of these guys' songs in your head.
5. "Don't Let Me Down" by The Beatles
This just in: The Beatles were awesome.
Our next ditty is a number by another band I really like. This track, however, drives me insane:
4. Groove Collective "Nature of a Freak"
Declassified is a really fun album, but in my opinion, "Nature of a Freak" should've been omitted. It's obnoxious, repetitive, and frankly, it's stupid. Fortunately for this feature, it's got all of the prerequisites checked for a splitting headache if and when it embeds itself in your cranium. See what I did there? Moving on...
3. "Gone Gone Gone" by Bad Company
I'm a little ashamed to admit that I used to be a pretty huge Bad Company fan. I liked the old stuff, and even the Brian Howe-era nonsense that produced hits like "No Smoke Without a Fire" and the title track from their second release, Holy Water. Matter of fact, I saw them live for the tour in support of the latter, which featured Damn Yankees as the opener, which is a little ironic considering that Howe used to sing for the Nuge', who was the axman for the Yankees, which was an outfit featuring a dude from Styx and a dude from Night Ranger.
And if you think that was a bad idea, consider that former Bad Company frontman Paul Rodgers was busy doing The Firm for this Bad Co. era. Well, at least until they replaced Howe with Robert Hart, and ultimately ditched him to bring Rodgers back into the fold for another go. While all of that is more information than you ever wanted to know about Bad Company and bad, mildly incestual classic-rock side projects, it does tickle the all-too-common curiosity of musicians who never seem to be able to grasp that their heyday has passed.
Anyway, old-school Bad Company was pretty cool when I was new to classic-rock radio. The notion of recording a song called "Feel Like Makin' Love" was ballsy for the first 40 times I heard it, and nothing shy of gut-wrenching every time after. I'm not going to sit here and knock the library of original-outfit Bad Co., but I will say that many of their hits are pretty freaking awful. "Gone Gone Gone" is right up there with the rest of them.
2. The Steve Miller Band with (not to mention the most original band name ever) "Rock'n Me"
The CRR arsenal of Steve Miller Band cuts should be lit on fire. Really. I mean, we've all giggled about stoner implications in "The Joker." We've tripped out on the eerie synth work in "Fly Like an Eagle." We've clapped, like fools, along with "Take the Money and Run," and we've air drummed to "Swingtown." I say burn 'em all except for "Abracadabra." That's right. I said it.
1. New Edition's "Cool It Now"
God, the '80s were atrocious. I don't know why bands groups like New Edition, Bell Biv Devoe, et al, rose to such fame, but they did, and songs like this one are left rustling in the leaf pile, only to blow around every now and again and afix themselves to the screen door of your brain on a fall day.
If I could borrow a line from that David Spade show, just shoot me.
Those're the hits for this week. Come back again in seven or so days for another installment of rancid. Read more
I took a part-time job a number of months ago. It’s a job in which I clock in at 11 p.m. on Friday and Saturday, and then punch out around 3 a.m. I sometimes stand, but mostly sit just inside the entrance of a bar. You could call the position bouncing, but that doesn’t really fit my stature or the ambience of the joint. Door guy is more fitting. I card everyone coming in, and at the end of the shift I empty some trash cans and flip some stools upside down atop tables. In the interim, it’s my job to make sure people don’t get out of line, but the clientele doesn’t typically involve any scenarios in which I’d have to escort someone out of the building. This is a good thing because of said stature, but also because it has afforded me the opportunity to do something I almost never get to do: read books.
In the early summer months, I hammered out a little Bob Dylan project, and it would’ve been awesome if I’d had this door-guy job while that was in-progress, but the positive side is that it gave me some distance from Dylan and his body of work. But we start with Chronicles, Volume One.
This book was a Christmas gift five or six years ago, and like so many in my library it sat there. I’d like to say that I thought it would be boring, that I was avoiding it because I knew that Dylan tunes weren’t going to come piping out of the pages as I turned them. That’s only partially true; the larger aspect is that I just don’t make enough time to read. I could not have been more wrong.
Had I made the connection that a great song writer could easily translate to a great book writer, I would’ve broadcasted its awesomeness much sooner. What I’m saying is that if you have not read this book, you must. It’s smooth and insightful and I can only hope that the sequel(s) that were rumored to be following this first volume is just as good, if not better.
I found it bizarre that Dylan chose to focus on only a few portions of his career as a musician, but it also left me hopeful that other sections would get some attention in future volumes. Regarding the portions that did get notoriety, it came as little surprise that they are some of the less-famous slices of his timeline. What Dylan and his family endured throughout his rise to fame and afterwards left me speechless and spooked.
But most of all, I was impressed by his diction, vocabulary, and honesty. Let’s look at a few key passages.
“Sometimes you just want to do things your way, want to see for yourself what lies behind the misty curtain. It’s not like you see songs approaching and invite them in. It’s not that easy. You want to write songs that are bigger than life. You want to say something about strange things that have happened to you, strange things you have seen.”
“You have to show people a side of themselves that they don’t know is there.”
“It seemed like I’d been pulling an empty wagon for a long time and now I was beginning to fill it up and would have to pull harder. I felt like I was coming out of the back pasture. I was changing in other ways, too. Things that used to affect me, didn’t affect me anymore. I wasn’t too concerned about people, their motives. I didn’t feel the need to examine every stranger that approached.”
“The term “protest singer” didn’t exist any more than the term ‘singer-songwriter.’ You were a performer or you weren’t, that was about it -– a folksinger or not one.”
These lines come from the second chapter which spans roughly one-third of the book, and tracks Dylan’s efforts to find his way into the New York scene and how he developed his songwriting styles and inspirations.
Once Dylan had recorded upwards of a dozen albums, tasted success, and been inundated with notoriety, things changed.
“Early on, Woodstock had been very hospitable to us…At one time the place had been a quiet refuge, but now, no more. Roadmaps to our homestead must have been posted in all fifty states for gangs of dropouts and druggies. Moochers showed up from as far away as California on pilgrimages. Goons were breaking into our place all hours of the night. At first, it was merely the nomadic homeless making illegal entry…but then rogue radicals…began to arrive…creeps thumping their boots across our roof…gate-crashers, spooks, trespassers, demagogues were all disrupting my home life…”
Chapter four is the second marathon of the book, and it spans one of my favorite segments of Dylan’s career: his first of two recording projects with Daniel Lanois.
“I showed up in New Orleans in early spring, moved into a large rented house near Audubon Park, a comfortable place…You could work slow here. They were waiting at the studio, but I didn’t feel like jumping into anything…I brought a lot of the songs with me, I was pretty sure they would hold up well.
The first thing you notice about New Orleans are the burying grounds…a cold proposition, one of the best things there are here…ghosts of women and men who have sinned and who’ve died and are now ling in tombs. The past doesn’t pass away so quickly here. You could be dead for a long time…Night can swallow you up, yet none of it touches you. Around any corner, there’s a promise of something daring and ideal and things are just getting going…You can’t see it, but you know it’s here.
There are a lot of places I like, but I like New Orleans better. There’s a thousand different angles at any moment…No action seems inappropriate here. The city is one very long poem…
Everything in New Orleans is a good idea…In New Orleans you could almost see other dimensions. There’s only one day at a time here, then it’s tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you’re in a wax museum below crimson clouds…
Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you’ll get smart…A great place to record…”
When working on the Dylan project, I was blown away by Oh Mercy, that first record Lanois produced with Dylan, and the track that stuck out the most was “Man in the Long Black Coat.” Its power and movement jarred the headphones off of my head, and the strength of it grew with each listen. Therefore, I was pleased to read the following:
“I wasn’t sure that we had recorded any historical tunes like what he had wanted, but I was thinking that we might have gotten close with these last two. ‘Man in the Long Black Coat’ was the real facts. In some kind of weird way, I thought of it as my ‘I Walk the Line,’ a song I’d always considered to be up there at the top, one of the most mysterious and revolutionary of all time, a song that makes an attack on your most vulnerable spots, sharp words from a master.”
And at the end of the marathon, we get another fantastic bit:
“Danny asked me who I’d been listening to recently, and I told him Ice-T. He was surprised, but he shouldn’t have been. A few years earlier, Kurtis Blow, a rapper from Brooklyn who had a hit out called “The Breaks,” had asked me to be on one of his records and he familiarized me with that stuff, Ice-T, Public Enemy, N.W.A., Run-D.M.C. These guys definitely weren’t standing around bullshitting. They were beating drums, tearing it up, hurling horses over cliffs. They were all poets and knew what was going on.”
A personal favorite of mine that came as a surprise:
“Mostly what I did growing up was bide my time. I always knew there was a bigger world out there but the one I was in at the time was all right, too. With not much media to speak of, it was basically life as you saw it. The things I did growing up were the things I thought everybody did -– march in parades, have bike races, play ice hockey. (Not everyone was expected to play football or basketball or even baseball, but you had to know how to skate and play ice hockey.)”
Dylan cites important musicians throughout his book, none bigger than Woody Guthrie, and near the end of Guthrie’s life, Dylan teaches himself the Guthrie catalog, inspired by some sort of mystic transcendentalism.
“One thing for sure, Woody Guthrie had never seen nor heard of me, but it felt like he was saying, ‘I’ll be going away, but I’m leaving this job in your hands. I know I can count on you.’”
They do of course meet up and have a seemingly instant connection, a bond forged out of mutual respect, and in fact, a hospitalized Guthrie offers Dylan boxes of unpublished songs, but when Dylan makes the distant, frozen trek to the Guthrie abode, he is unable to obtain them from the family. They later fall into the hands of Billy Bragg and Wilco.
Anyway, fantastic book. If you’re a giant Dylan fan –- and let’s face it, there’s no reason you shouldn’t be -– then you should get after Chronicles. You’ll be pleasantly surprised. Get your copy here. Read more
Every so often I'll sit down with an interesting Internet personality and discuss what goes on in their neck of the Web woods. This week's guest is Kristi Colvin.
bankmeister: We “met” in strange way, which is to say that we’ve technically never met, but I knew that you were a fascinating person right out of the gate. My buddy brought me to a SportingKC game, and at the conclusion of the national anthem, I saw you hunker down over your iPad and get to work on Twitter. This intrigued me for two reasons: (1) I was taking notes in a pocket-sized memo pad for the sake of a blog post on the game, and (2) believe it or not, not that many people I know are on Twitter. At first I thought you were simply going to check in via Foursquare or something like that, but when I saw you pull up Twitter, I was surprised. Before we get into that, though, tell me a little bit about yourself.
You’ve since tweeted me something about the term “nut nut” possibly being a Texas thing. Do you hail from the Lone Star State? Give me all the deets: born and raised there? High school? College? And how’d you wind up in Kansas City?
Kristi Colvin: I was technically born in Oklahoma, but adopted immediately so transported to Texas two days later, where I have always lived prior to moving to Kansas. I was raised in Wichita Falls where my Mother still lives, but spent most of my adult life in Houston and Dallas. I did go a couple of years of college there but did not graduate -– at the time nothing seemed to work as an actual degree for me (I’d never heard of a commercial art degree.) I am primarily self-taught and have learned on the job, my entire career.
bankmeister: Once my post from that game was published, you had a humorous reaction to it and said something to the effect of your husband threatening to give you a yellow card for excessive tweeting during games. By this I of course deduced that you are married, which leads me to ask if you have kids, and if you do, what are their ages and what sort of parameters do you have on them – and if you don’t, kindly pretend that you do – for using technological apparati? More specifically, how young is an appropriate age for kids to have cell phones, and should kids be limited on the amount of daily time they spend on varying devices?
Kristi Colvin: My husband attempts to give me Yellow and Red Cards during every game, but I ignore him and keep tweeting anyway. I don’t think he understands that for me, part of my enjoyment of the game is the sharing of it with my online friends. He has a Twitter account but never tweets, so you sort of have to be immersed in this lifestyle to truly understand what I mean.
I don’t have children though I desperately want them. I suffered miscarriages in previous marriages, and when I moved to Kansas to marry Tim the plan was that we would have children (neither of us do) but my previous employer ended up changing his mind about me working remotely, and I was plunged into being unemployed and living in a rural area where I knew no one but my new husband’s family within two weeks of moving here. So the loss of income and building my self-employed business took priority. Now it just doesn’t seem it will ever happen.
I do think that parents need to set boundaries around technology use, but not discourage it. I also think monitoring their usage and communications is critical as they grow – I had always planned to have family Macs in public view, not in a child’s room, and cell phones should probably not be something parents rush into before a child can handle one responsibly. Social-media channels shouldn’t be rushed into either -– there’s something to be said for growing up, as I did, without my every move being documented online somewhere.
bankmeister: Walk me through your linear career, starting with your first job, and maybe touching on some of your stops along the way to present day.
Kristi Colvin: My first job was in retail, at a boutique called Marianne’s in the mall in Wichita Falls. It was there that I learned I liked doing visual merchandising, so I did that at JC Penney’s and eventually Dillard’s. From there I got into waiting tables and doing catering for On the Border, and eventually got tired of the late nights and went to work at Whole Foods Market while taking some college courses. I passed up an opportunity to go into a training program to be a visual merchandising director at JC Penney –- I loved that work, but knew if I got into the program I would never leave retail. It was a good decision.
In college and at WFM I learned to use a Mac Classic, and it was really there that my design career began. We would make newsletters (to mail, not e-mail) and store signage of all types on the computer and color it in with markers and pens to make it cute. We didn’t even have a full-color printer. The newsletters were professionally printed so I learned to deal with printers. Eventually I offered my services as a print designer, and when I got pregnant (and ultimately miscarried) I taught myself Web design. I wanted to produce a parenting site called Babyville. When I lost the baby I went another direction and created a vegetarian community called Good Karma Café, which I wish I had not taken offline.
I ran it like a monthly magazine but this was prior to blogging, so it wasn’t nearly as easy. All of my time was spent writing, designing, adding site features, creating recipes and redesigning the homepage in HyperText Markup Language like a magazine each month. It was too laborious to keep going, though at one time on some lists it was the number two vegetarian site. The focus was distinct from most -– it encouraged meatless eating rather than condemning non-vegetarians, which is why it got so much attention from reviewers. From there I moved into the creative services space, offering print and Web design. One of my first clients was a software developer, so I learned to do user-interface design and user experience.
All of the jobs and projects have contributed to what I do today: print design, digital design, software design, promotional design, understanding customer service, merchandising of products, selling goods, advertising, and communicating via social channels.
bankmeister: Let’s talk Fresh ID. You’re officed downtown. Has that always been the case, or did y’all grow out of somebody’s basement? How long has it been around? Where did the idea come from, and how has the ratio of enjoyment/hard work fluctuated, if at all, since getting the project off the ground?
Kristi Colvin: Fresh ID has been the name of my company since 2002 when the company I worked for was acquired. It was called Fresh Pages in the ‘90s. I have been primarily self-employed since 1993, but twice I put my business on hold and went to work for software companies as a user experience manager -- 2000-2002 at Pentasafe, 2006-2007 for SigmaFlow -- where I worked when I met my current husband Tim and ultimately left to come to Kansas. I usually worked from home but have had offices at various times as well, so in a way we have grown out of a second bedroom.
When I moved here I met Lisa Qualls and Tom Jenkins, who are now my two business partners and we worked on freelance projects together as a team. I asked Lisa to join me and take the helm as CEO in 2009 and we restructured Fresh ID from a Texas DBA to a Missouri-based LLC and brought Tom on as Chief Technology Officer in June, 2011. Though some might find it odd I asked Lisa to be Chief Executive Officer instead of taking that position myself; since I founded the company and ran it for years, to me it made perfect sense. I am the Chief Creative, and what I do is create design and marketing and products that we can sell. I couldn’t maximize my creative potential and do the selling and business administration and focus well enough on finances to grow before bringing her on board. With Lisa here as CEO, we have grown exponentially –- she’d have to tell you the exact percentages though, as I don’t have to focus on that anymore. Her contribution has been significant though, and with Tom filling the deep-technology-experience role we needed, we are poised for even more growth over the next couple of years.
The work we do is what I have always done for clients, though it has shifted a little bit. We do a ton of custom WordPress design and development, and for years I mostly did Web sites, not content-management-systems-based sites. We also do a lot of marketing work for monthly retainer clients, much of which involves multiple social media channels.
bankmeister: Help me understand the premise behind the company. I mean, the intelligent design portion of the Web site is pretty self-explanatory, but how did you develop the clientele portrayed in the portfolio? More specifically, do you have to outreach a significant portion of your customers or do they come to you? Has that changed since Fresh ID was born?
Kristi Colvin: I have always provided services for business-to-business clients, with a few retail clients but not as many business-to-consumer companies as I initially desired. We don’t do any marketing (that will change in 2012) and so word-of-mouth has resulted in one B2B client sending their friends and connections to talk to us, and that keeps us pretty busy. I have never done much marketing –- virtually all my clients have come from some type of referral, plus a few people who found us using organic searches online. These days, the referrals come via social-media connections, or someone seeing us say something on a social channel that makes them realize we could meet a need. Or they are sent from in-person connections we have. We’re about 50/50 on in-person vs. online referrals.
With the active use of social media, we ended up meeting the sports teams in our portfolio, and they have fulfilled a lot of my desires for B2C interaction with direct customers of a client. Plus we really enjoy working with them. We have also increased our work with retail goods and restaurants, so the hotel industry is the only missing group I’d really like to work with that we haven’t yet serviced.
bankmeister: It seems that most of your clients either offer a product or a service they’ve not been able to maximize in terms of reach and availability. Is it safe to assume that that’s where your team comes in? Again, the outlined services seem obvious: You get brand-name-recognition projects going, improve Web sites, spruce up blogs, and sort of implement the use of digital and social media for companies that either aren’t using them or aren’t using them well enough. Is that fair?
Kristi Colvin: We do this for a lot of clients, yes, and also help startups with brand identity and awareness from the beginning. Since I went into business in 1993 I’ve done a lot of redesigns or brand upgrades -– I guess that goes with a designer’s territory. The bulk of our social-media retainer clients are companies who have some level of success offline but need to figure out how to communicate with random strangers online, and how to mix social channels into their existing traditional marketing.
bankmeister: Have you found that portions of your customer population don’t engage in the services Fresh ID offers because they don’t have the time, don’t know how, or some combination of both? What if you’re networking with a potential client and they’re apprehensive? Are there means of proving the sort of method to the madness? What are some of the most unique and some of the most typical clients that hire Fresh ID? Have any trying-to-market-themselves writers ever approached the company?
Kristi Colvin: Some of our clients listen to us regarding social engagement more than others -– it does take time, it is an extra step to get used to in a day…we know all about it as we have the same issues at times with our own marketing. It is also sometimes easier to market others than yourself –- I find it’s easier for me to post things about client offers and activities under my Kris Colvin account than it is for me to make FreshID look interesting using that account. Of course, it’s no mystery our clients have the same problems. We do have a method to getting started and ramping up and best practices we’ve defined for ourselves that we employ, but ongoing engagement really rests with the clients. Some take off and shine; others sort of drag their feet. We have had some authors we have helped with branding and social assets, and personal branding for them is something we do just like the corporate branding for any organization with whom we work.
bankmeister: What about your personal blog? It looks like a Tumblr page, and has the “join Tumblr” icon in the corner, but it doesn’t say it in the URL. I feel like this is sometimes the case with Blogger, too, as in people have sites that look identical to a blogspot.com page, but the word “blogspot” doesn’t appear in their Web address. Can you help me understand this?
Kristi Colvin: With Tumblr, Blogspot and I think even Typepad, you can use a unique domain name so that people can go directly to your site in a little more professional way (I think) then when you use a subdomain, like all Tumblrs start out with.
bankmeister: How much time do you spend updating your blog each week? At first glance it looks like maybe an hour or less per week, but digging deeper, you’ve got some stuff that required some time. Do you have any goals or parameters for your blog, or is it simply for pleasure?
Kristi Colvin: My personal blog goes through periods of lots of posts, and periods of total inactivity. I would like to blog more but don’t…it’s far easier to tweet and Facebook my finds and thoughts. Our business blog requires more of my attention than I give it. All the older posts are from my Design for Users blog, where I used to help educate people about various user experience ideas and issues, and I need to get back to that. We have won clients from blog posts so that is another form of marketing of which we need to take advantage. I live in two places (the country with Tim and my dog-child Baxter on weekends, and downtown during the week) and often while driving I am writing a blog post in my head that never makes it to paper or online. I’ve got to get better about taking the time to write them as it helps our business, I know for a fact.
bankmeister: What about Twitter itself. We’ve already mentioned the joke-threat from your husband, and that this medium is what led you and I to right now, but help me try and put something into perspective: Do you remember what month and year you signed up for Twitter? As of this moment, you have tweeted 77,208 times, which is unreal. I ask for your rough start date, because it’d be interesting to know how many tweets you average per day.
Kristi Colvin: I created my account on March 26, 2008. I didn’t understand what Twitter really was though, and was offended when random men followed me. I honestly can’t remember how I found out about Twitter, given I knew so little about how it worked. I read a wonderful article at problogger.com by Darren Rowse in July of that year, who could see people couldn’t figure out Twitter and he suggested that we all type our account names into this blog post, and follow each other, the reason being that at the very least we had blogging in common and could discuss it on Twitter. It changed my life. The list was up to 568 at the time, and I vowed to follow 100 people at least. To this day, I recommend to clients that they search using keywords, and follow a minimum of 100 people before writing Twitter off as uninteresting.
My average TPD (tweets per day) are downright scary. According to Tweetstats.com I average 62 per day and 1734 per month. The person I have tweeted the most is the brand builder. I am only consoled by the knowledge that some people tweet even more than I do, and that it probably takes less than 1 total hour to create all those tweets, as they’re so short. Now reading them, on the other hand…we won’t talk about how long that takes. Twitter is my preferred channel –- I could live without every other SM platform, but not it. My Twitter friends are my confidantes when I need to talk, my lifeline when I feel depressed or am struggling, my companions when I am bored, my mates when I am cheering for my team, my advisors when I need help, my amusement at unexpected times. I love them, and I mean that sincerely.
bankmeister: Without knowing one way or the other, that seems like the kind of number that would suggest that there’s always a device within arm’s reach. Is that even close to accurate? Have you found that such activity has any kind of effect on any relationships, be they real-time or cyber? Anyone (besides your husband) ever tell you to put that thing away? I ask because one of my three sisters is pretty darn attached to her Blackberry, and there are times where I’m like, No, it’s cool. I’ll wait.
Kristi Colvin: Umm. No comment.
Seriously, it is hard for me to be completely away from a device, though I do it at times. I love my iPhone sooooooo much. It is the device that Steve Jobs made for me years ago, but due to rural Kansas issues and only AT&T at first, I could not have it until recently. I adore my iPad too. I truly feel everyone should have an iPad. I wrote the first chapter of my upcoming ebook, called Social Media by Design, on my iPad on the way home from Texas. No wires, no internet needed, no bulky laptop to deal with, and I did so very easily in my Pages word processor. That is a technological power that I find very compelling, and that could change everything if you could combine the promised power of Google Fiber (everywhere) with easy-to-comprehend technology that people of all ages can use at any time.
Plus, I can tweet with ease no matter where I am (iPhone is online even if iPad is not.) That makes my life complete. Tim gets mildly aggravated sometimes, but I do try to be respectful at family events and dinner (mostly.) My team is used to it –- often all 5 of us are on our phones at the table though, so they can’t say much about me. Of course, it is sometimes because I’ve reminded people to check in on Foursquare. One time recently we went to a 5-course dinner for a prospect that is now our client (bluestem) and Lisa said, “Don’t have your phone out” before we went in, so I dutifully put it in my purse and didn’t take it out. She later complained I hadn’t taken any pictures of the meal.
bankmeister: Forgive me if the answer to this lies within your press-appearance page, but how do you follow 28,000-plus people? I only follow a little over 100 and that packs my timeline pretty full. Somebody once asked me how I manage to keep up with 1000-plus Facebook friends, and though I think I just shrugged in the moment, the answer inside my head was “fast scrolling.” Is that sort of what happens with you?
Kristi Colvin: I also do a lot of skimming on my timeline. But on busy days I just deal with mentions and direct messages. Often on a weekend, when the TV is on and I am relaxing, I finally get to go through my timeline and look at the interesting things people are posting and that’s usually when you’ll see quite a few retweets from the freshid account. We follow far fewer people on that account and it is easier to notice good content, but you could achieve the same goal with using Twitter lists. I make Lists and then don’t use them though. As far as I’m concerned, I don’t follow enough people. My goal is to somehow follow a million someday. All these people make me smarter on a daily basis so I want more education, links, ideas, feedback, and good humor from the millions upon millions of awesome people that can be found all over the world.
bankmeister: Finally, SportingKC.
When did you become a fan of the team and how long have you had season tickets? Do you feel like your enthusiasm for the team has consistently elevated or have there been plateaus? Tell me about your mega-fandom of CJ Sapong? Have many folks picked up on your lil’ rookie hashtag and begun using it themselves?
Kristi Colvin: I am a brand new soccer fan, this year. At the end of last year, Lisa and I met Kyle Rogers and James Flexman from the team, who found us via social channels and because of our proprietary Intefy product, which does real-time media aggregation and is good for live online events. That story is detailed in an article about Lisa & I here.
They became a client at the beginning of 2011, and so when soccer season began I watched the first game on TV, not really even knowing if I’d be able to maintain interest in the game or not even though I was interested in the team’s staff and really liked all the people I met at the downtown office.
My enthusiasm for the team has grown to the stereotypical fever pitch. Soccer games run my life -– we haven’t seen a movie at the theater in months and won’t until the playoffs end. At this point I am a huge fan of the team and I almost see the work we do for the client itself as a separate activity. But even if we didn’t do work for them I can’t imagine not loving the team or not attending every game possible. We are season-ticket holders not because they gave us tickets but because I literally begged Lisa to death to purchase them. Our seats are in the Shield Club, which was not cheap; we paid $5500 for our four tickets and shared them all season. Given our many current expenses, we haven’t renewed the Fresh ID season tickets yet, but my husband is getting us two Shield Club seats for 2012 as he has become a fanatic as well. I am lucky that he is, as we may get to go to L.A. for the MLS Cup if SKC makes it that far. I begged for that also, but never expected to really go. I think he wants to and knows that this may be a unique opportunity as you never know when a team will make it that far again.
Regarding Sapong, and his youth and my age, I think a lot of people thought I was some kind of cougar-lady who found him cute when I first began talking to him and about him. That’s not how I see him (or any of the guys on the team.) I really don’t know how to properly depict how I feel about him. He’s not quite the son I never had, or like a brother…he’s just a person I adore and admire. He caught my attention with his record-breaking debut goal the first game, and it was several games before I saw what he looked like up close on TV, or even heard him speak. We had bonded over Twitter and at the time his avatar didn’t show his face well, and I was so excited the first time I saw him in a locker-room interview, that I yelled for Tim to come in and see him. He is just unique. Talented, quirky, funny, humble, cocky, goofy, surprising…all the things that make someone want to have someone around as a friend.
What a lot of people may not realize is that he and Eric Kronberg were the first two players I ever met. They came into the Members Club during the week we were living there before it opened, working on the membership software and getting quick-response codes on seats. Everyone on the software team was exhausted. Sapong walked in, and I recognized him immediately and I lit up. It was totally thrilling to meet him, the shot in the arm we all needed to keep going and get everything launched on time. He delights me -– I will be so proud for him, and so happy if he wins Rookie of the Year. I may even weep. And of course tweet about it.
People have not used the #lilrookie hashtag unless it’s in reference to me. I love it when they use it though, and asked CJ directly if he minded it. He said “no.” Lil Rookie #17 will be on my jersey at all the playoff games I get to go to, including the big one. I want to remember his rookie year forever and I’m sure he will as well.
bankmeister: When the season started, it seemed like the streak this club was on would eventually fall off, but ultimately they wound up the one seed in the eastern conference. Tell me about your experience on this wild ride of a campaign. What kinds of things are folks doing in anticipation of the big game tomorrow?
Kristi Colvin: I have never really followed a sports team quite like this. I am used to Tim’s ups and downs with the Chiefs, and felt it somewhat, but knowing the players, owners, and staff behind the team makes it so much more personal and fulfilling for me. I haven’t known what to make of their season –- I look at everything with newborn eyes and barely know the detailed rules of this game. I’m not a fair-weather fan…if I love someone or thing or group I am very loyal, so losing games doesn’t bother me that much; I expect it. They have surpassed any expectations I may have had, though. I recently re-watched our first game at LIVESTRONG Sporting Park and this team has grown by leaps and bounds since that contest. I feel blessed to have witnessed it all. They inspire me…but I am hoping they will also motivate me to get off my rump and be more physical, more active, and get in better shape again. Work gets really busy and health and wellness get de-prioritized. Watching them always reminds me it’s important.
bankmeister: What about the growth of the fan base? I came across an interview with a club higher-up this week, and while the bit was entertaining and informative, even the interviewee has gone from a tongue-in-cheek announcing of the new team/venue name to a supposed seriousness with the success they’ve had this year. Do you find that fans are mostly embracing bandwagoners or is there some divisiveness within the circle(s)?
Kristi Colvin: I can’t really speak to this. I think we have a lot of long-time Wizards fans that are possibly still mourning the loss of that identity, maybe because they never really had the full package of a soccer-specific stadium and all this attention. And then we have people who’ve been curious about the team given the new stadium and attention, who aren’t raving fanatics but interested enough to check it out, nonetheless. Then there are a group of people, like myself, who are new to the team/brand and even soccer as an interest that are now complete Sporting Kansas City addicts. I will be very curious to see how many seats sell next year. That will tell us if there are new converts for real or if the novelty of the hot new thing has worn off. I hope it sells out again and the momentum continues.
bankmeister: It appears that the organization has done a lot of things right. Anything obvious that they’ve overlooked or upon which they could improve? How do you think the enthusiasm of this fan base compares with other MLS markets across the country? Assuming you’ll be at the game, will your in-game tweet tendencies stay the same, or does the iPad get put away for the post-season matchups?
Kristi Colvin: I can’t see changing my tweeting habits. Though the team doesn’t pay me for it, my in-game tweets are partially an obligation of sorts. Some folks are used to them and like them. My non-technical observations give them another perspective on the game and some people seem to like that.
I think SKC are in a sweet spot of having done many of the right things this year with the stadium finally completed. There is still much work to be done, but my complaints are few. I have seen many observations from outsiders regarding their digital presence online. I know of teams (of all types) who have expressed interest in the in-stadium technology Cisco helped build, the Sporting Membership software we helped design and develop, the mobile apps Moblico has helped them develop and all of that tells me their new venture, Sporting Innovations, is hitting the right mix of what’s new/what’s needed. If I were a team anywhere in the world, I’d study what they’re doing. That they have such an apparent interest in providing a community of real members and not just a venue to visit once or twice a week is one of the things that sets them apart, and that will continue to serve them when they experiment as members will give feedback. It’s a living eco-system and I’m personally glad to be part of it.
bankmeister: Awesome. Well, thank you so much for the time. Good luck with all of your business and personal endeavors, enjoy the playoffs, and God speed as you attempt to follow (Dr. Evil voice) one million followers. Read more
